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lthough real photo postcards were made in a variety of ways, they hold one identifiable feature in common.

The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.

Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant.

The twelve cottages are spacious and furnished with full kitchens and fireplaces.

Try your hand at fishing, biking, canoeing, or hiking, or take it easy by relaxing in the hot tub or bird watching.

But even here the effect is more of a softening of detail than a observable texture.

Early real photo postcards are small by their very nature and since most were contact printed, not enlarged, there is no visible texture.

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